Ann Welton, Fire and Earth, 2019, 18cm X 8cm, Copper, Enamel, Resin, Scoria, Photo: artist
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ELEMENTAL: Terra Aqua Aer IgnisLisa Lubbock
Philip Monk Ann Welton Robyn Wilson
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Ann Welton, Fire and Earth, 2019, 18cm X 8cm, Copper, Enamel, Resin, Scoria, Photo: artist
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ELEMENTAL: Terra Aqua Aer IgnisLisa Lubbock
Philip Monk Ann Welton Robyn Wilson
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Philip Monk, Nautilus, 2019, Vitreous enamel on fine silver, argentium silver, stainless steel pin, sterling silver chain, Brooch/Pendant 42mm x 33mm, 43cm chain. Photo: artist
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In order to gain an understanding of the physical world they inhabited, ancient Greek philosophers postulated that all matter consists of four elements: earth, water, air and fire. As metalsmiths, our making incorporates each of these fundamental elements. Earth is the source of our metal; air and fire fuel our torches; water quenches and cleanses our work. And so, some 24 centuries later, our group will be examining and reinterpreting the classical elements in relation to our individual practices.
ELEMENTAL: Terra Aqua Aer Ignis is presented by four diverse metalsmiths, who met at NMIT (now Melbourne Polytechnic), while completing the Advanced Diploma of Engineering Technology (Jewellery) in 2014. |
Philip Monk, Man O'War, 2019, Vitreous enamel on fine silver, argentium silver, stainless steel pin, sterling silver chain, Brooch/Pendant 43mm x 49mm, 43cm chain. Photo: artist
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(ABOUT THE ARTISTS)
Lisa Lubbock strives to create pieces which tell a story and are imbued with meaning for the wearer; an everlasting extension of the custodian rather than a transitory accessory. Her new works are inspired by a recent Northern Territory adventure; the awe-inspiring majesty and beauty of the heart of the land we inhabit. lisalubbock@gmail.com Philip Monk’s work is strongly influenced by the patterns, designs, and colours found in the organic forms of the natural world. His pieces often feature three dimensional shapes and patterns, employing both traditional and contemporary techniques and materials, to handcraft jewellery which is evocative of our environment. The handmade nature of the jewellery and the considered simplicity of its forms and materials are intended to create a representative connection between the wearer and the world that inspired it. phil.monk.jewellery@gmail.com Ann Welton discovered the delights of silver smithing and the hammering room whilst studying at NMIT. It prompted her to continue her studies at RMIT University where she completed a Bachelor of Fine Art (Gold and Silver Smithing) (Honours) and allowed her to extend her exploration of vessel making and the expressive capacity of vessels. ann.welton.50@gmail.com Robyn Wilson’s interest in making jewellery began when she attended a workshop introducing a product called Art Clay Silver. Around the same time she started attending monthly weekend workshops, learning the more traditional skills of silver smithing. In 2011 while working full-time in the IT industry, Robyn began the four year journey toward an Advanced Diploma qualification. In 2014 Robyn was awarded the DIA’s Graduate of the Year award (Jewellery). Robyn’s goal is to design and produce unique jewellery and wearable art. robynwilsonjeweller.com |